Album or cover vanilla ice ice ice baby12/24/2023 The band took a long time between albums, which didn't help keep their commercial prospects afloat, as any new recordings would be compared to that Diamond-selling debut. All eyes were focused on whether Lee could avoid the dreaded sophomore slump, but unfortunately, second album, "The Open Door", couldn't muster the same levels of hype. Goth-y, angsty, but with a real heart and perspective, Evanescence garnered praise for breathing life into a tired genre, even scoring a Grammy nomination for Album of the Year for their dramatic take on the genre. Featuring the dramatic vocal stylings of Amy Lee, Evanescence stood out even on their first single, "Bring Me to Life", achieving instant success that was only furthered when the piano ballad "My Immortal" dropped soon after. They saw the sign, alright, and it was a stop sign.Īt the start of 2003, critics were already writing the obituary for the subgenre known as "nu-metal." They weren't wrong, as Limp Bizkit's fratboy antics and Papa Roach's pointed whining were losing favor on rock radio, save for the commercial bright spots that were Linkin Park and a new group out Little Rock, Arkansas named Evanescence. A cover of Bananarama's "Cruel Summer" scored them a final Top Ten stateside, but when Denniz Pop died of stomach cancer at the tragic age of 35, Ace of Base didn't have much gas left in their tank. Yet because their sound became so oversaturated, their sophomore effort, "The Bridge", did a fraction of the numbers that "The Sign" did. Out the gate, the group scored three Top Five hits in the States, as synthy renditions of light reggae rhythms ended up being a breakthrough formula, making the group omnipresent for years. record label delayed the release to add more songs, one of which was "The Sign". Originally released as "Happy Nation" and containing the song "All That She Wants", the band's U.S. Pop loved himself a great melody and a hooky production, and his fingerprints are all over the debut album of the dance-pop outfit Ace of Base. Sadly this dragon has gone into hibernation.īefore Max Martin was writing hits for Britney Spears, *NSYNC, Taylor Swift, and The Weeknd, the pop-savant was working under the tutelage of the Swedish pop legend Denniz Pop. (Interestingly, despite the lingering cultural legacy of "Thong Song", that banger only reached #3 in the U.S., leaving the forgotten piano ballad "Incomplete" as Sisqó's only #1.) Despite his solo hits and even a return to Dru Hill proper, the demand for new Sisqó material dropped significantly, leaving his sophomore album "Return of the Dragon" flounder and his subsequent material failing to chart. A solo single from eccentric Dru Hill frontman Sisqó, this oft-quoted banger instantly shot the Platinum-haired vocalist to pop stardom, with his album "Unleash the Dragon" going five times platinum. Yet the early 2000 release of "Thong Song" changed the DNA of pop music. The R&B boy group Dru Hill was making some serious waves in the late '90s, scoring a string of Top Ten hits and getting primo soundtrack placement with "How Deep is Your Love" landing on the "Rush Hour" soundtrack and their feature on Will Smith's "Wild Wild West" topping the charts. Some still pine for new material from De Backer, but nearly a decade later, our beloved quirk-pop icon took the easy way out by disappearing completely. The shy-seeming Gotye winced at the harsh glare of the international spotlight, and while "Making Mirrors" was this third full-length, he has yet to release a fourth, seemingly much more content doing one-off collaborations and archival work. That song's success pushed fans towards other celebrated favorite tracks like "I Feel Better" and the Beck-like rock of "Easy Way Out", but after Gotye was handed the Grammy for Record of the Year by none other than his idol Prince, it was clear that he had peaked. Yet when Gotye unleashed his 2011 album "Making Mirrors", it was anchored by the song "Somebody That I Used to Know", a duet with Kimbra that sounded like nothing else on the radio, eventually ranking #1 in virtually every country on the planet. He was gaining popularity in Australia, and his dramatic song "Hearts a Mess" started gaining international attention. In the early 2000s, Belgian-Australian multi-instrumentalist Gotye (the nom de plume of Wally De Backer) gained a following for his elaborately-constructed albums of deeply emotional pop music.
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